On the one year anniversary of the device’s unveiling, Sony has revealed a substantial upgrade to the Morpheus PS4 VR headset, a version which they say has nearly reached its final form for a launch by Q2 2016.

Everything about the 2015 Morpheus prototype has been improved since the 2014 version. It’s lighter, the FOV is bigger, the optics are sharper, the ergonomics are better, and the unit has 3 additional signature-blue LEDs (totalling 9) for more robust headtracking. And the demos? Better than ever.

For the first time in my life, I felt like I was in the middle of an action movie. Huddled down behind a desk, with a massive diamond in one hand and a pistol in the other. When the guards fired, I reactively ducked until they were done with their salvo. Then it was my turn to pop a few caps.

This was a new Morpheus tech demo called The London Heist by Sony’s WWS London studio, and the gunfight experience was preceded by an interrogation scene. A burly man sat in front of me in a dimly lit warehouse. A blow-torch by his foot was a sure sign that this ‘in medias res’ encounter would not be a friendly one.

At first he didn’t say much. He just gave me a death stare as he took a long drag from a cigarette and blew the smoke into my face. I had some info that this man wanted. When I looked around, I spotted a door with a bright red EXIT sign above. As I did, my captor reacted, saying something along the lines of “No way, you’re not going anywhere,” at which point he drew a pistol and shot the sign above the door. That’s when he sparked up the blow torch.

Vision Pro Preview: Early Thoughts on My Time Inside Apple's First Headset

sony moprheus 2015 gdc the heist demo (2)

At the climax of his rage, a ringtone that was inappropriately cued for the situation reverberated around the room. The man stopped his threatening assault and pulled a cellphone from his pocket, begrudgingly. After a few moments with someone on the other end of the phone, he dangled it above my head, telling me “He wants to talk to you.”

sony moprheus 2015 gdc the heist demo (1)

Impatiently he said “Come on then, stand up and take the phone!” At this point I stood up from my chair in real life, and reached out with the Move controller for the phone. Using the trigger I grabbed it and instinctively put it up to my ear. It was a phone afterall. To excellent effect, the virtual phone that I was holding to my ear sounded like it was right there next to my ear. On the other end someone asked me what happened the night before, and that’s when I flashed back to the scene with the diamond and the gun.

sony morpheus gdc 2015 hands on (2)I was plopped behind a Victorian-looking desk in an elegantly appointed room. Someone came over the intercom and told me to look for a safe. I pulled open drawing to see what I might find. In one of them was a key, which I grabbed, placed on the desk, and then returned my hand to shut the drawer. Then I found a cabinet with a keyhole and went to open it.

As I put the key inside, the beam of a guards flashlight flicked across the room and I huddled down behind the desk to avoid his gaze. Eventually he was satisfied with the empty room and turned around. That’s when I opened the cabinet to reveal a massive, sparkling gem, which also conveniently sounded the alarm.

Vision Pro is Hands-down the Best Movie Experience You Can Have on a Plane

Now the guards knew I was in there. I ducked down again and pulled open the center drawer to find a pistol and some ammo clips. I picked up the gun with the Move and found my first opportunity to fire at a guard who was not quite careful about his cover. Firing the gun was extremely satisfying, with the joy that can only come from intuitively aiming a weapon instead of using your view position (as so many are used to in the standard FPS). With the Move controller, I was able to remain hunkered down behind cover but peek my weapon up over the desk to squeeze off a few rounds.

sony morpheus gdc 2015 hands on (4)

But that wasn’t the only target. More guards came spilling in, some fanning out on a walkway above me. Their heightened position gave them an advantage and I knew they’d become a threat all too soon if I didn’t take them out quickly. So I focused on them, trying to catch them with a few rounds as they ran to their firing positions. I can’t remember exactly, but I think one of them flew over the banister as I shot them, just like you’d see in any self-respecting action movie.

sony morpheus gdc 2015 hands on (3)At some point my pistol ran dry of rounds and I had to pick up a clip and slide it into the bottom of the gun to reload. It worked quite like you’d expect, with a button on the Move allowing you to eject the spent clip.

Once all the guards were dispensed with, I grabbed the jewel I had fought so hard for and casually tossed it in the air a few times before catching it again, like a master burglar satisfied with his work.

SOUL COVENANT Review – Ineffectual Melee Sandwiched in a Very Skippable Story

The demo wasn’t perfect. There were some tracking issues with the Move, especially when I was learning low behind the desk and trying to grab the spare clips. Yet it was one of the most interactive and intuitive gaming experiences I’ve had in VR. From grabbing the phone to firing the gun, this was an amazingly polished demo and one that would be a shame to not become a full Morpheus game when the headset launches in 2016.

There’s much more to be said about Sony’s 2015 Morpheus prototype, and we’ll be digging into another tech demo and technical details in an article to come.

Newsletter graphic

This article may contain affiliate links. If you click an affiliate link and buy a product we may receive a small commission which helps support the publication. More information.

Ben is the world's most senior professional analyst solely dedicated to the XR industry, having founded Road to VR in 2011—a year before the Oculus Kickstarter sparked a resurgence that led to the modern XR landscape. He has authored more than 3,000 articles chronicling the evolution of the XR industry over more than a decade. With that unique perspective, Ben has been consistently recognized as one of the most influential voices in XR, giving keynotes and joining panel and podcast discussions at key industry events. He is a self-described "journalist and analyst, not evangelist."
  • pedrw nascimentw

    Beautiful but the most important, and what really interests us first, is whether there are still traces of “screen door effect”. And what percentage :-)

  • You know, reading about hardware has gotten a bit stale by now, this was refreshing and sure sparks my interest for the Morpheus :) Still not convinced the PS4 will be the platform with the most VR content, but it sounds like some unique experiences will be there in any case.

    So yeah, in the end, the content is what’s actually interesting :3 I’m looking forward to when VR is just like a TV, you don’t talk about a game being built specifically for a TV, but you talk about the game and what makes it good :D

    That said, yes, I do want to know everything about the hardware too, just that it’s been crazy lately with the Vive and everything xD Still… no picture on those controllers.

  • mellott124

    @pedrw nascimentw You’ll need just over 5k resolution per eye to not see screen door effect at Morpheus FOVs. 20/20 vision is about 1 arcmin/pixel. RES=60*FOV/(#of pixels). Easy to calculate for any HMD. 5400 to be exact with 90 degree FOV.

    Anything lower and you’ll always see the screen door somewhat. I think border line entry into a consumer device like Oculus CK1 is going to be 3840, which is still only 1920 per eye.

    • Rokrull

      Traditionally yes, but including the expensive brute force way of throwing pixels at the problem, there are a number of elegant solutions as well.
      Because of the physics of light, projected displays (think Avegant Glyph) have less screen door at lower resolutions than run of the mill displays. Exponentially more natural by default as well. Obviously this doesn’t apply to the Morpheus as it uses a screen.
      When pixel arrays are offset at 45º they become seemingly denser with zero moray. This is how printing works, so it’s been definitively proven for over a century. Sony is using their own custom screen so maybe but probably not.
      Stochastic pixel arrays could theoretically erase the screen door effect entirely at any resolution, but that’s all cutting edge stuff and has yet to be used in an actually product as far as I know.
      Artificial diffusion can be used but will be less crisp (supposedly why the first morpheus prototype had less apparent screen-door then the DK2). So if the screen door effect is less than the first prototype or the DK2 it will probably be some version of this.

  • Sean Concannon OculusOptician

    The demo sounds awesome, great use of the VR medium but aren’t the show models running on PC’s? There’s no way the actual PS4 can handle that kind of processing power. Is Sony still actually serious about offering standing experiences? I don’t see any games like these ever being developed for the headset. Their clearly going to be seated experience indie titles with watered down graphics running at a sub-standard 60hz without supersampling. Here’s a guide which emphasizes the consoles true potential for VR: http://ca.ign.com/wikis/xbox-one/PS4_vs._Xbox_One_Native_Resolutions_and_Framerates

    • Jacob Pederson

      Somebody correct me if I’m wrong, but weren’t quake / unreal progamers hitting 100 + fps on CRT’s with hardware much much older than the PS4? If you are willing to scale back on shaders you could probably go to 120 hz and beyond very easily on PS4.


    • Ben Lang

      All the demos at GDC 2015 were shown running on the PS4, some at 120Hz.