Bulletstorm (2011) is the sort of epic single-player shooter that’s all about running and gunning through an explosive linear campaign while chewing the fat with some wise-cracking sidekicks. It’s an interesting choice as a VR port; it has the promise of big set pieces and production value that should hold up well even 13 years later, but a lot of the moving parts just don’t fit together well in VR, which is a shame for such a frenetic, action-packed adventure.

Bulletstorm VR Details:

Available On: Quest 2/3/ProPSVR 2PC VR
Reviewed On: Quest 3, PC VR (Quest 3 via Link)
Release Date: January 18th, 2024
Price: $40
Developer: Incuvo
Publisher: People Can Fly


If you’re like me, there’s a good chance you’ve played Bulletstorm before. While it didn’t make a splash on Xbox 360, PC or PS3 back in 2011, developers People Can Fly partnered with Borderlands studio Gearbox in 2017 to bring out a definitive ‘Full Clip’ remastered edition that fared much better among players across PC, PS4, Xbox One, and Nintendo Switch.

If you haven’t played Bulletstorm, here’s the setup: you have to shoot guys because of reasons which aren’t entirely important. What is important though is the skillpoint (SP) system that invites you to make stylish kills. The more stylish you can gank a dude, the higher the SP combo, and the faster you can upgrade the half-dozen guns you come across during the game.

And Bulletstorm’s skillpoint-driven gameplay offers a unique spin on the sort of linear first-person shooter campaign. As much as I wanted to love the VR version though, it just doesn’t hit the same as the flatscreen original. Its expectation of epic, overblown action lacks the sort of fluidity I’d hoped for, which makes it feel significantly more tedious than it ought to be.

Here’s why: the game’s combo system invites quick, frenetic sliding, kicking and shooting. The ideal combo involves using your trusty energy leash to grab an enemy with your non-shooting hand, thereby putting him into slow-mo, then quick kicking and/or shooting him to death—oftentimes into a one-off contraption that gives you a massive bonus, like a giant grinding wheel or pit of molten metal. It’s designed to be a fluid chain of events that eventually get you into a sort of flow state of leashing, kicking and blasting dudes. In a headset though, this feels decidedly more stilted than if it were designed for VR from the ground up, which slows down nearly every interaction to a crawl. More on that in the Immersion section below.

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With development started in 2007, Bulletstorm is undoubtedly a product of its time. At the very beginning of the VR version of the game you get a big disclaimer about the sort of controversial language and adult themes it has, as dialogue is basically unchanged from the original. It’s the sort of banter you’d expect from a 14-year-old in a COD lobby (minus the flagrant racism), so take it for what it is.

Beyond that, the game has definitely aged in terms of ancillary game mechanics. Even on flatscreen, nowadays people crave more involved weapon upgrade systems that give them more control over their shooting experience. In 2024, Bulletstorm’s upgrade system just doesn’t make me feel like the juice is really worth the squeeze when it comes to executing artful kills. Earning that SP and spending it to max out guns magazine capacity and secondary charge ability—the only two upgradeable elements of any gun—just doesn’t feel sufficiently rewarding to make me really want to engage with the system at all in any meaningful way. Sure, it’s cool to toss a dude into a giant grind wheel or vat of molten metal, but if it doesn’t consistently reward you beyond the first initial wow-factor, then you’ll be less inclined to seek out those moments throughout the five-hour campaign.

Besides the full campaign, there is no co-op or multiplayer of any kind for now. The only bonus is two tacked on missions featuring Trishka Novak and her energy blade, which felt so overpowered you can easily just waggle-slice your way through willy nilly until you’re threaded back to the main campaign again.

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It pains me to say this about a game I loved on flatscreen, but from the get-go Bulletstorm VR is uglier than I hoped it would be. Don’t get me wrong, there are a ton of potentially interesting set pieces throughout, although on Quest 3 the game seems de-mastered rather than something belonging in 2024. Despite showing off slightly tuned-up aesthetics on the PC VR version (via cabled Link), which includes dynamic lighting and tighter visuals overall, the game still oscillates between being crisp and visually dense to low poly and downright muddy.

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As an older game from a different era, you’ll also notice the usual inconsistency when it comes to things like objects clipping through one another and buggy AI pathfinding, which may not be such a big deal on flatscreen but is pretty glaring in VR. It is what it is.

For the uninitiated, much of the game’s fun on flatscreen is quickly covering area by sliding around, getting up close to a bad guy and kicking him, landing multiple combos and reaping the high score reward. Sliding however doesn’t feel very intuitive in VR as a single button input, and would have been better mapped to a more immersive movement. This leads you to running around most of the time, which lacks the same flair and flow.

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As for shooting, the game has been suitably updated to allow for multiple reload styles, including more involved magazine reloads that require charging the handle of the gun to simple single push-button reload. I appreciate the choice here, although I actually had a lot more fun with the least immersive reloading style, as the action is clearly paced for fast and mindless running and gunning. Faffing about with a magazine just doesn’t feel right in the context of aspiring to fluid chain-kill combos.

The energy leash also feels pretty great in VR, letting you either use your hand to target and whip enemies towards you. What doesn’t feel great though is having to press forward on the ‘R’ to kick, which elicits a disembodied foot to mindlessly kick forward. This is a key mechanic that likely wouldn’t find its way into any modern VR game since it’s such an obvious immersion breaker. I feel like this too could have been mapped to a more immersive movement instead of relying on straight button inputs.

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And yes. There are a million cutscenes. Non-VR games from this era are littered with them, so there’s very little you can do about that since they’re pre-rendered and baked into the game as 2D videos. You watch these in black virtual theater, although there’s also a more immersive VR mode which forces video it into a sort of fake 3D version, which isn’t recommended considering how choppy and crappy it is.

While you might expect me to come down on the game’s irreverent dialogue, it’s really just a product of its time, for better or worse. Still, you can’t deny its objectively great voice acting, a majority of which is thanks to grizzled protagonist Grayson Hunt, which is voiced by Steve Blum, who is also known for voicing Spike Spiegel from Cowboy Bebop, Ares in God of War and Wolverine from Marvel’s Wolverine (among many other credits).

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For all its ills, Bulletstorm VR is mostly comfortable, offering all manner of locomotion styles and VR comfort modes to get you moving at a fast clip. And the ‘sprint’ movement is very fast, which could cause discomfort in some users. While mostly smoothed over for VR, there are a few less than comfortable experiences, namely a cart ride that follows a very blocky track that jerks you from side to side.

‘Bulletstorm VR′ Comfort Settings – January 18th, 2024

Artificial turning ✔
Snap-turn ✔
Quick-turn ✖
Smooth-turn ✔
Artificial movement ✔
Teleport-move ✔
Dash-move ✔
Smooth-move ✔
Blinders ✔
Head-based ✔
Controller-based ✔
Swappable movement hand ✖
Standing mode ✔
Seated mode ✔
Artificial crouch ✔
Real crouch ✔
Subtitles ✔
Languages English, French, German, Italian, Japanese, Polish, Portuguese, Russian, Spanish
Dialogue audio
Languages English
Adjustable difficulty ✔
Two hands required ✔
Real crouch required ✖
Hearing required ✖
Adjustable player height ✖
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Well before the first modern XR products hit the market, Scott recognized the potential of the technology and set out to understand and document its growth. He has been professionally reporting on the space for nearly a decade as Editor at Road to VR, authoring more than 3,500 articles on the topic. Scott brings that seasoned insight to his reporting from major industry events across the globe.
  • Ben Lang

    Thanks for reading our review! Please note the following before commenting so that we can have a thoughtful discussion:

    • We scored this game 3.5/10 – ‘Bad’ by our linear scale.

    • Even if the text of the review focuses more on critique than praise, or vice versa, the score aims to boil down the reviewer’s overall opinion of the experience.

    • If you haven’t played the game, understand the limits of your knowledge.

    • If you have played part of the game, your experience may differ from those who have completed it in its entirety.

    • Road to VR does not ever accept payment for reviews or any editorial content.

  • d0x360

    I’ll take the older style humor over modern “humor” any day. Sanitized comedy just doesn’t do it for me and while I never found this game funny at least it’s not a censored mess of terrible politically “correct” “jokes”.

    Either way I’ll skip this watered down version. If they can’t get the original to run in VR but valve gets half life alyx going perfect it just says either this was horribly rushed or the devs are awful. I’ll try getting the original working in VR instead. It will run just fine and be a better experience.

    • Will

      Whether something’s funny or not has nothing to do with whether it’s “politically correct” or not. What’s politically correct changes each generation. Clearly something does not need to be “offensive” to be funny, it just needs to be funny.

      Most times today the problem seems almost to be the reverse. Many comics are so focused on the thrill they get from being edgelords they forget the joke needs to be funny too. Unfortunately, for many audiences feeling cool and edgy seems to be enough, to the detriment of even some comedic greats like Chappelle.

  • Jonathan Winters III

    When I saw the PCVR trailer and it looked WORSE than the 2011 version (including character shadows missing as well as most post processing effects), I feared this. Hopefully the dev makes it right.

  • VR5

    Article isn’t directed at me, it seems. I never played Bulletstorm so I don’t love it, couldn’t even if I wanted to. Really not a fan of these idioms like “we all have been waiting for” or in this case “which you love”. It assumes a weird kind of agreement that obviously stops being possible the more people you add to the mix, sometimes two is enough even.

    Going by the broader picture different review voices paint the original seems to be an okay game, not universally loved, and the conversion not that great. Pity.

    • I think it’s more of a smear job because they didn’t like what happened to Sato in the storyline. He does get pretty screwed. The protagonist is a d*ck. But the game itself was great! It’s a storyline shooter, back when all anyone ever made was storyline shooters. Sorta like Gears of War. Actually, EXACTLY like Gears of War. It’s Gears of War.

  • david vincent

    Google “Tweaks / Mods To Make Bulletstorm VR Clearer & Sharper”

  • Ender772

    dang…i had high hopes for this game. I didnt realize they were just porting the old game (which was very good when it came out). I thought they were remaking it for vr, with new levels and all the good stuff.

    Also haha…bulletstorm works with vorpx…so why would i ever buy this watered down version

    • I don’t think you’ll get the VR controls with Vorpx. Also the original game was pretty buggy. I thought the Quest version was great! It’s a one-shot deal, you likely won’t want to play through it again, but it’s quite a ride.

  • What’s with the SMEAR piece on, perhaps, one of the most entertaining games I’ve played on VR in ages?

    I actually marathoned it, couldn’t stop playing. Must have been about 10 solid hours. I haven’t played a good “cinematic” shooter in ages. These things used to be all the rage. They don’t have any great replay value, there’s no hidden stuff to collect, no base building, no open world… it’s just a roller coaster ride with guns.

    It certainly isn’t very shiny. There’s all sorts of stuff my computer did 16 years ago that the Quest 3 can’t do now. But while some bits aren’t too pretty, most of it’s just AMAZING visually. Compared to other Quest 3 games, the shear scope is INSANE! Being chased by that big wheel was awe inspiring. The giant monster battle, the crashing ship, the constant plot twists.

    It is a “Gears” style game, so it’s all meatheads, bro moments, and dialog you’d expect from a pro wrestling ring. The whole thing is very so cheesy, you’d think Kraft had a hand in making it. And poor Sato! I’m pretty sure Sato would have had a huge redemption arc at some point in the sequel, but the game had a cursed development cycle when it was new and they don’t really do these story-shooters anymore.

    This game had SO MANY BUGS when it was new, I never got more then 4 hours into it, so this Quest version was actually great. I got to finish an underrated game that was too buggy when it was new to even play. And a game VERY much suited for VR with it’s controls.