Quill, Facebook’s VR painting tool, has been a great way to sketch in VR since its launch back at the end of 2016, but today a new update transforms it into something entirely new. Now, with tools for animating Quill artwork directly in the app, users have a new dimension for artistic expression: time.
ARK Park, the VR multiplayer adventure game based on the world of ARK:Survival Evolved (2017), was originally slated for a December release on PlayStation VR, but then production studio Snail Games delayed the game as it was “still in development.” Now, the studio says ARK PARK is officially slated to arrive on PSVR, Rift and Vive on March 22nd.
Claiming to be “the world’s most compact and affordable VR motion simulator,” Yaw VR is a 3DoF motion system using a spherical dome design that allows for unlimited, 360-degree yaw movement and 50 degrees across the horizontal axes. The project just surpassed its $150,000 crowdfunding goal on Kickstarter.
NextVR, a company specializing in live VR broadcasting of sports and entertainment content, has debuted its latest broadcast technology this week at CES 2018. Parallel with new, more powerful and higher resolution VR headsets, improvements to NextVR’s technology are bringing promising new levels of quality and volumetric capability to VR video content.
If you’ve used virtual reality, you’ve probably deampt up a million cool game ideas that the platform’s infinite possibilities could be used for. But did you dream up a rhythm game where you use dual lightsabers to slice blocks to the beat? Didn’t think so. Luckily, indie developer Hyperbolic Magnetism did, and they’ve got the talent to bring it to life.
Vreal, a VR livestreaming and social broadcast platform, today announced the closure of a $11.7 million Series A funding round led by Axioma Ventures, along with new investors Intel Capital and AET Fund. Existing participating investors include Upfront Ventures, Vulcan Capital and CRCM Ventures.
Dreamscape Immersive, the location based VR startup, today announced the public debut of a limited engagement VR experience called Alien Zoo. Now taking reservations at Westfield Century City, LA, California, the multiplayer experience will be open to the public for a single month.
Downward Spiral: Horus Station is an upcoming sci-fi adventure game from 3rd Eye Studios, a Finish studio featuring industry veterans from games such as Alan Wake, and Halo 5, and movies including Wall-E, Gravity, and Prometheus.
Squanch Games (formerly Squanchtendo) and partner studio Crows Crows Crows have just added a new level to their PSVR game Accounting+ (2017). Called ‘The Waterpark Update’, the level is a free update that also includes a free theme.
Google recently launched an augmented reality mode for the Android version of its video capture app Motion Stills, which brings the ability to insert AR objects into the world so you can record GIFs and video.
After more than a decade of working on home and portable consoles, Ready At Dawn last year released Lone Echo and its multiplayer spinoff Echo Arena on the Oculus Rift & Touch. We talked with Ready At Dawn Founder & Chief Creative Officer Ru Weerasuriya to understand how the games came to be, the challenges faced during production, and the future of VR.
Having initially announced that their Vive Focus standalone VR headset would operate as part of Google’s Daydream VR platform in 2017, HTC later scrapped those plans ahead of the headset’s recent launch in China under HTC’s own ‘Wave Vive’ platform. Recent comments from HTC’s Vive China President suggest that a Western release for the headset will likely hinge on its reception in China.
Opaque Space, a studio working in collaboration with NASA to build space-themed VR experiences, have started experimenting with PSVR.
Steam Audio, Valve’s free made-for-VR spatial audio system, has added support for AMD’s GPU-based TrueAudio Next technology, as well as the popular FMOD audio software.
Dinner Party is an immersive exploration of Betty and Barney Hill’s widely known 1961 alien abduction story that premiered at the Sundance New Frontier film festival. Rather than using normal alien tropes, writers Laura Wexler & Charlotte Stoudt chose to use the spatial affordances of VR to present a symbolic representation of each of their experiences to highlight how vastly different they were.
